Nominated by Placido Domingo as one of his heirs, Giorgio Berrugi is one of the most appreciated tenors of today for his unmistakable, warm Italian sound, his exceptional musicality and the expressive nuances of his interpretations.
Berrugi has performed in the most important opera houses, auditoriums and music festivals such as the Teatro alla Scala, Royal Opera House in London, Lincoln Center in New York, Bolshoi Theatre in Moscow, Opéra Bastille, Théâtre des Champs-Élysées in Paris, Deutsche Oper in Berlin, Lyric Opera of Chicago, Opera di Roma, San Francisco Opera, Gran Teatre del Liceu, Opéra de Monte-Carlo, Gewandhaus in Leipzig, Concertgebouw in Amsterdam, Suntory Hall in Tokyo, Wigmore Hall in London, Parco della Musica in Roma, Arena di Verona, Teatro Regio Torino, Teatro Petruzzelli. He has worked with great conductors such as Zubin Mehta, Christian Thielemann, Fabio Luisi, Andriss Nelsons, Gustavo Dudamel, Daniel Oren, Gianandrea Noseda, Pinchas Steinberg, Nicola Luisotti, Myung-Whun Chung, Manfred Honeck, Roberto Abbado and Jaap van Zweden.
Recent engagements have included Il corsaro at Opéra de Monte-Carlo, Eine florentinische Tragödie at ABAO Olbe Bilbao, Lucia di Lammermoor at Teatro Pavarotti in Modena, Madama Butterfly at Staatsoper Stuttgart, Tosca at Teatro Regio di Torino and at the Greek National Opera, Fedora at Oper Frankfurt, Macbeth at Festival Verdi in Parma, the house debut at Gran Teatre del Liceu in La Bohème, Ernani at Teatro Massimo in Palermo. In concert, he performed Mahler’s Symphony No. 8 with the Wiener Philarmoniker, Verdi’s Requiem at Festival Verdi in Parma, in New York with the London Symphony Orchestra, in Milan with Orchestra Filarmonica della Scala, at Théâtre des Champs-Elysées in Paris, in Rome for Accademia di Santa Cecilia, in Lucerne, Hong Kong, Manchester, Dallas, Valencia and Riga.
Before becoming a singer, Berrugi graduated with honors in clarinet. He won major international awards both as a soloist and in chamber music and was the first clarinet of the Orchestra Sinfonica di Roma for five years.
He began his vocal studies in 2007 and after a few months he debuted as Rodolfo in La Bohème at Teatro La Fenice in Venice. From 2010 to 2013 he was a member of the ensemble of Dresden Semperoper, where he performed many important roles such as Don José in Carmen, Riccardo in Un Ballo in Maschera, Mario Cavaradossi in Tosca, Nemorino in L’elisir d’amore, the Duke of Mantua in Rigoletto and Gennarino in the world première of Gisela, the last opera written by Hans Werner Henze.
His plans in the 2022/23 season include La bohème at Vienna Volksoper and at Teatro Bellini in Catania, Cavalleria rusticana at Festspielhaus Baden-Baden, Un ballo in maschera at theatres of Modena and Reggio Emilia, the role debut as Siegmund in Die Walküre at the Vienna State Opera, Macbeth at Teatro alla Scala, Medea at Greek National Opera, as well as Puccini’s Messa di Gloria at Teatro La Fenice.