Grammy® Award-winning baritone Lucas Meachem is one of the most accomplished, in-demand singers of the moment, captivating audiences around the world with his “earnest appealing baritone” (The New York Times) and “commanding presence” (San Francisco Chronicle). “A rock star of opera” (Opera Pulse), Meachem’s 2019-20 season includes two house debuts at Opéra de Montréal and Teatro Regio di Torino, four role debuts, and performances with Opéra national de Paris, Dallas Opera, Prague Philharmonia, San Francisco Opera, and Chicago Lyric Opera.
Meachem opens the San Francisco Opera season, singing Mercutio in Roméo et Juliette. He then makes his house and role debut at the Opéra de Montréal singing Enrico in Lucia di Lammermoor. Following a concert with tenor Joseph Calleja and the Prague Philharmonia, Meachem will then make his house and role debut as Escamillo in Teatro Regio di Torino’s production of Carmen. He then adds another role to his repertoire as Prince Yeletsky in Pique Dame at the Chicago Lyric Opera. He continues his season in his “signature role for good reason,” (Opera News) as Figaro in The Dallas Opera’s Il Barbiere di Siviglia. Meachem closes his season at Opéra national de Paris performing Marcello in Claus Guth’s new production of La bohéme.
Named the winner of San Francisco Opera’s inaugural “Emerging Star of the Year” Award in 2016, notable performances in Meachem’s American career include marking his 50th role debut as Athanaël in Thaïs, Chorèbe in Les Troyens, Demetrius in A Midsummer Night’s Dream and Valentin in Faust at Chicago Lyric Opera; Eugene Onegin, Don Giovanni, and Il barbiere di Siviglia, Papageno in Die Zauberflöte, Count Almaviva in Le nozze di Figaro, and Fritz/Frank in Korngold’s Die Tote Stadt at San Francisco Opera; General Rayevsky in Prokofiev’s War & Peace, Robert in Iolanta, Marcello in La bohéme, Silvio in Pagliacci, and Mercutio in Roméo and Juliette at the Metropolitan Opera; Don Giovanni with Santa Fe Opera, New Orleans Opera, and Cincinnati Opera; Zurga in Les pêcheurs de perles at the Florida Grand Opera; Germont in La traviata at Washington National Opera; Il barbiere di Siviglia at San Diego Opera, Opera Colorado, Houston Grand Opera, and Los Angeles Opera where he also gave his Grammy® Award-winning performance of Figaro in The Ghosts of Versailles.
A regular performer across Europe, Meachem has performed the title role in Il barbiere di Siviglia with the Vienna Staatsoper, Royal Opera House, Den Norske Opera; the title role in Don Giovanni at Glyndebourne Festival and Semperoper Dresden; the title role in Britten’s Billy Budd at Opéra National de Paris; as Count Almaviva in Le nozze di Figaro at Bayerische Staatsoper in Munich and Royal Opera House; Wolfram von Eschenbach in Tannhäuser at the Saito Kinen Festival in Japan under the baton of Seiji Ozawa; the title role in Eugene Onegin with Komische Oper Berlin and Opéra national de Montpellier; Zurga in Les pêcheurs de perles at Bilbao Opera; with the Teatro Real de Madrid in the world premiere of El Viaje a Simorgh, Frank/Fritz in Die Tote Stadt, as well as Oreste in Iphigénie en Tauride; and a European tour with Anna Netrebko as Robert in Iolanta with 11 performances at Europe’s most important musical centers and venues including Vienna, Munich, Paris, Berlin, and Amsterdam.
Last summer Meachem performed with the Orchestre symphonique de Montréal under the baton of Kent Nagano as the opening concert for the Salzburg Festival. Additionally, Meachem was part of the opening concert for the Grafenegg Music Festival of the Britten War Requiem and Mahler Kindertotenlieder with Emmanuel Villaume and the Prague Philharmonia. Additional concert performances in Europe include the Fauré Requiem in Florence with the Maggio Musicale Fiorentino under Seiji Ozawa and Carmina Burana in Rome with the Accademia Nazionale di Santa Cecilia, conducted by Rafael Frühbeck de Burgos. Meachem made his Hollywood Bowl debut in 2014 as Silvio in Pagliacci with Gustavo Dudamel. He has sung with the New York Philharmonic in Bach’s St. Matthew Passion under Kurt Masur; the San Francisco Symphony in concert performances of Gilbert and Sullivan’s Iolanthe; the American Symphony Orchestra in the United States premiere of Ferdinand Hiller’s oratorio The Destruction of Jerusalem at Avery Fisher Hall.